Davis, Nathan Huggins, Blyden Jackson, August Meier, Saunders Redding, and Charles I. Harlem Renaissance poetry, as written by such literary luminaries as Langston Hughes and W. The Encyclopedia of the Harlem Renaissance, in two volumes and over 635 entries, is the first comprehensive compilation of information on all aspects of this creative, dynamic period. The intent of this poetry was to improve and uplift African Americans through historical awareness and a popular culture that reflected self-awareness and self-worth in black Americans. Poetry of the Renaissance also addressed themes of American identity and the American dream.
In confronting this, I have always tried to treat it matter-of-factly: to recognize it, deal with it, and transcend it. Christa Schwarz Provides controversial and groundbreaking analysis of homosexuality in the Harlem Renaissance. Gish has a Bachelor of Arts in art history from University of Massachusetts, Amherst. DuBois, was characterised by its themes, influences, focus and intent. Du Bois on and , on and , and Gwendolyn Bennett on Jessie Fauset and. College English, November, 1990, Ken Kirkpatrick, review of Black Culture and the Harlem Renaissance, p. The problem is that once you have gotten your nifty new product, the encyclopedia of the harlem renaissance finkelman paul wintz cary d gets a brief glance, maybe a once over, but it often tends to get discarded or lost with the original packaging.
With regards to themes, much literature of the Harlem Renaissance included references the national popularity of blues and jazz. Vara, review of Encyclopedia of the Harlem Renaissance, p. Reviewers of literary works include and on , W. Encyclopedia of the Harlem Renaissance by Aberjhani and Sandra L. Intent Intent is a primary characteristic of all Harlem Renaissance literature, including poetry.
The Cambridge Companion to the Harlem Renaissance edited by George Hutchinson Perhaps the most mature in terms of text complexity, this companion is a collection of sixteen critical and scholarly essays divided into three parts: foundations of the Harlem Renaissance, major authors and texts, and the post-Renaissance Hutchinson, 2007. A significant and useful addition to reference works on the Harlem Renaissance. Register a Free 1 month Trial Account. Houston Center for the Humanities, president; Southwest Social Science Association general program chair, 1990-94, vice president, 1994, president, 1996 ; film consultant for This Is Our Home, It's Not for Sale. Much of the poetry of the Harlem Renaissance is characterised as an examination of the historical place of the contemporary African American with regards to history and the future.
Mississippi Quarterly, winter, 1993, Joseph A. Contributor of articles and reviews to history journals. For a full list of entries, contributors, and more, visit the Encyclopedi a of Harlem Renaissance website. Cresswell, review of Black Dixie: Essays on Afro-Texan History and Culture in Houston, p. Wintz collects twenty-one biographical essays by leading scholars on such figures as , , , W. Ranging from 500 to 5,000 words, the entries fall into five main categories: People: important actors, writers, artists, critics, personalities, thinkers, and entrepreneurs, among others.
The E-mail message field is required. School Library Journal, November, 2006, Joyce Adams Burner, review of Harlem Speaks, p. Although I never planned it this way or made any conscious decision to bring it about, race has been the central element in my life and work. In order to fully understand the movement and its achievements, the Encyclopedia examines not only the cultural and artistic accomplishments of the time but also the political, social, and economic climate. Southwestern Historical Quarterly, January, 1994, Arnold R. The Harlem Renaissance by Stuart A.
African American Review contributor George Hutchinson reviewed volume six, Analysis and Assessment, 1940-1979, and volume seven, Analysis and Assessment, 1980-1994. Voices from the Harlem Renaissance by Nathan Irvin HugginsIn this all-inclusive text that spotlights over 120 selections of political literature and art of the Harlem Renaissance, Huggins has created an absolutely vital text for anyone studying the Harlem Renaissance. Wintz's emphasis is on the literature and on source materials. This poetry asks the question: where has the black American been and where is she going? Thorough and well-organized reference work. Also included are Locke's surveys published in Opportunity from 1929 to 1939, excluding 1930, in which he wrote about economics, sociology, education, anthropology, and history, as they related to black interests. Calverton, and William Stanley Braithwaite.
Du Bois, , , , and others. Political Movements, Self-Actualization, and Redefining Race Enter the New Negroes Images of Race in American Culture by Martha Jane Nadell Specifically focussing on the neglected role that visual images played in the debate on the nature of African American identity, this book offers a very interesting and unique point of view. Reference Reviews, February, 2005, John Lawrence, review of Encyclopedia of the Harlem Renaissance. The work also covers the period before the Harlem Renaissance, to examine influential precursors, and the decade after, to discuss its continuing impact and lasting repercussion. In addition, although the Harlem Renaissance is primarily associated with New York, it was not confined to this one location. From the music of Louis Armstrong to the portraits by Beauford Delaney, the writings of Langston Hughes to the debut of the musical Show Boat, the Harlem Renaissance is one of the most significant developments in African-American history in the twentieth century.
The movement was an African American cultural explosion expressed through essays, songs, theatrical pieces, novels and poetry. This comprehensive view of the period includes in-depth coverage of the artistic and literary movements as well as broad coverage of the political, social, economic, and legal issues that confronted African-Americans during the early twentieth century. Journal of American History, September, 1993, Alwyn Barr, review of Black Dixie, p. Wooster, review of Black Dixie, p. Themes of migration---from Africa to the United States, from slavery and the south to industrial jobs in the urban north---were common. His work can be found on various websites. The Encyclopedia of the Harlem Renaissance focuses on the period of intense cultural creativity and rapid social change in the two decades following World War I.